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On How I Work:
Moving parts tend to break down, they wear, they give way, they destroy themselves, they do not do what you want them to do. This is what I do.
In trying to make a physical manifestation of movement, both the mechanical and the forms it produces are what I consider to be my work. The results of this two-part process, be they end products or the effects it may have on the ones who are willing to look at it, are not fully within my reach. While intentionally aiming to produce and control a more or less predictable outcome, I am aware and of course counting on the elements of reality to help me finish my projects. The discrepancy between thought and object, what is allowed in and that what forces itself upon the work, are the things I try to manage, its results will be mine, but never fully. Although the work manifests itself as a pure visual experience there is another layer, sometimes poetical sometimes critical. As a result of the location or the material used a hint of the bigger world is given. Documentation will hopefully never do justice to the work, An honest anecdote of the experience will give more credit than any registration of it can do. Zoro Feigl 2011 Nathanja van Dijk over 'A matter of fluidity'(NL) Radio item about 'A matter of fluidity' by Jesper Buursink (NL) Gijs Frieling over het werk van Zoro Feigl (NL) Zoro Feigl about Constructing Time (ENG/NL) Essay of Paul Groot about 'De Branding' (ENG/NL) Video Interview on VICE Art-Talk (NL) Laurie Cluitmans about Pressurizing (ENG/NL) |